In the past I have sometimes been disappointed that in general the wines could seem out of balance, either too acidic or flabby, the fruit almost a cariacature of itself and even in the worst cases just dirty.

These wines however showed exuberant fruit, great balance of refreshing acidity with richness and depth and really distinctive character. I thought they showed very well and certainly will lead me to the South African shelves when I want good value white.

My favourites from each section as follows, full tasting notes seem to a bit of a dream at the moment but one day I hope to get them all up!

Jan Daneel Chenin Blanc 2005 Napier: Very simple but stylish label would have great shelf presence. Pretty, sunny apricot nose. The broad oak at the front palate is a touch too heavy but underneath is gorgeous fruit. Well-rounded, almost heavy, weight in the middle with enough crisp acidity to take you back for another sip. The fruit pushes right through to the end and lingers for ages. Lovely. 17  Stockist -Jeroboams £15

Tokara Sauvignon Blanc 2005 Stellenbosch: Fresh, flower petals delicacy on nose followed by vibrant, exciting fruit on the palate. Well-handled oak comes pouring through on its tail but is integrated and adds complexity. Balanced and fine with a crisp, juicy finish. 18 Stockist - Wimbledon Wine Cellars £17.99

Other very good Sauvignon Blancs - Quoin Rock 2005 Stellenbosch £9.49 Andrew Chapman Wines; Cape Point Vineyards 2005 Cape Point £14 Jeroboams; Neil Ellis Groenekloof 2005 Stellenbosch £9.99 Christopher Piper Wines,  Villeneuve Wines, SA Wines Online

Jordan Nine Yards Chardonnay 2005 Stellenbosch: Up front fruit balanced with a sure and light touch. Fine and nutty with integrated oak tannins backing it up. Silky mouth feel kept frech with tangy acidity. 17 Stockist Laytons; SA Wines Online £17.25

Other recommended chardonnays - Glen Carlou Quartz Stone Chardonnay 2005 Paarl £11.99-12.49 Oddbins, Christopher Piper, SA Wines Online, Genesis Wines; Quoin Rock Chardonnay 2002 sent by mistake but very high scoring, see previous info for stockist leads.

Fairview Viognier 2006 Paarl :Very aromatic nose but avoids parody. Crystallised fruit, nice levels of acidity. Not just floral but lively and fresh. 17 Stockists Harrods; Noel Young Wines; Valvona & Crolla £9.95

Also very good was the Bellingham Maverick Viognier 2005 Wellington £8.49 Majestic, SA Wines Online.

I recommend the Villiera Inspiration 2006 Stellenbosch £9.99 Tesco This desert wine has an unctuous, lovely texture, a nose of marmalade ice cream, very fresh and fine. Rich and great value.

At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.

Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact.  I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.

As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com

As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).

Bordeaux, I think, can be the region most in need of explanation to the uninitiated, as its charms occasionally need to be coaxed out. In this world of immediacy, these wines lag behind in the crowd-pleasing stakes, especially when you venture down from the top drawer. But given a lead from someone knowledgeable, I think - unlike some wines which initially please but become repetitive and dull - they can become friends for life.

It would make a great present for someone and is a useful tool for a group of friends who don't go to a wine club but want to have fun with it at home.

Good for Sainsburys to seize the initiative and find quite an innovative approach to wine tasting. But why is the podcast an audio recording not a dvd? I haven't heard it yet but I would have thought there was quite a lot of opportunity for visuals here.

To make it even more appealing, they have included a prize draw to win a trip for two to the Bordeaux Wine School. That would be quite a fun trip, I imagine.

The case can be bought at www.sainsburys.co.uk/wine or buy the wines individually in-store. Many of these wines I have not tasted myself but I do know the "Taste the Difference" ones are very decent examples.

It is supposed to mitigate the ill-effects of binge-drinking with ingredients that mop up free radicals produced by the liver when it is processing alcohol. It is also cheap and readily available.

It is being marketed to "people who like to get merry". Presumably because they feel it is unwise to market it to people who like to get smashed out of their skulls every Friday night and throw up partially digested burgers on street corners. I think we know who it is actually aimed at.

I must admit that my first thought was "great idea", sounds so useful. But while I'm no Catholic I do think the pain of hang-overs is justly deserved and should reflect any excess. The sparkle generated by a few drinks with friends too easily degenerates into boorishness  and incapacity beyond a certain point. There are very few elegant drunks.

And aren't we supposed to be cutting down binge drinking, as a society? We need a cultural shift that comes collectively - social evolution if you like, of the kind we've seen with smoking, drink driving and wearing seat belts.

Most Friday-nighters, though by no means all, are young people with their whole lives ahead of them and of course there is a natural protective urge to want them to stay healthy. The price that many of them pay for their excesses can be heart-breaking. Blaming them as being responsible for their own actions is ridiculous if the message they absorb is that getting really drunk and doing stupid things is clever and/or funny.

And now we are giving them the tools to avoid hangovers. I like drinking and sometimes I drink more than I should, but I also know that my body hates it when I do. It's a natural defense mechanism to show us our limits and should not be overlooked as a preventative.

If we no longer have any medical consequences we will push our bodies over the limit as a matter of course. But often the real trauma of binge drinking is the wider physical and emotional damage caused by violence, bravado, promiscuity or recklessness . Can we  develop a pill for that too?   

Some people are more sensitive to certain faults than others so while the host, who may taste the wine as it is brought to the table, is happily quaffing, one or more guests could be secretively retching into their napkins. Depending on how well you know your host and judging, diplomatically, how much of an ego dent your comments could produce, it might be worth discreetly asking people to have another careful sniff.

 At a wine faults workshop this week, it was made clear that a fault is only a fault if the people drinking the wine consider it to be. For example the "fault" brett - produced from brettanomyces yeast acting on the phenolic acids of the grape - is a characteristic that some tasters love and some winemakers deliberately introduce. It can produce strong animal characteristics that enhance a wine's complexity and increases some people's pleasure.

Of course it is very important to get the balance right because the smallest increase tips a wine over from animal (yum) to bretty (yuck).  And even in the lower doses some people adore the fragrant pong while others will recoil in horror at the filthy stench. Perception is all.

Then there is actual corkiness. Produced by TCA, TBA and TeCA it has various origins like the high levels of chlorine used to clean the winery and equipment, the breakdown of other cleaning agents by funghi in the winery - low ventilation and high humidity contibuting to high levels in the atmosphere.

The cork industry is keen to point out that it is not something inherently present in the corks more of a contamination at the winery. The plastic in alternative closure linings etc are equally susceptible to this contamination. With increased awareness, far higher standards of hygiene than ever before and alternative cleaning solutions available the problem should be getting better. However despite some high profile cases in California back in 2004, there are still many wineries taking the easy option and continuing bad practices.

At the other end is a sulfide problem that produces a tomato, truffle, cabbage, rubber character. This is reduction, the opposite of oxidation and the result of a complete seal which prevents any movement of oxygen into the wine. Unlike oxidation though, this can be corrected sometimes as simply as swirling the wine in the glass or decanting the bottle thereby allowing some air contact and dissipating the bad aromas.

This problem has been most associated with screwcaps which provide such an affective seal that all the positive benefits of cork permeability have been lost alongside the problems that can occur for freshness through excessive permeability.

New Zealand wineries have famously chosen to address this by slightly oxidising the wine before bottling in order to achieve balance once the wine is in bottle. As is often the case with the New World, they are quick to respond to problems and criticism.

However this is a dangerous and nervy solution and not always successful. Pascal Chatonnet, leading faults scientist, oenologist and consultant to wineries all over the world, argues that some of the essential character and originality is lost through this process and the overall quality and elegance is compromised, though this is not necessarily understood by the consumer as the original wine is not available to compare.

What is important to the cork industry is that while a consumer might recognise the wine is faulty, the only real language employed to describe or attribute the fault invokes cork. This is of major concern and is where the charm offensive needs to conentrate, for cork may not have played any part whatsoever.

For consumers the challenge to the industry as a whole is to find a closure with the correct level of permeability and which is kept free of contamination. It is in everybody's interests and with a more frank discussion opening up we can only hope that solutions won't be too far away.

This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.

The lower and upper ends of the wine market are well served by supermarkets and the "establishment"  but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest.  These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.

Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.

Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.

Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany.  With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.

Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.

The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.

But then, when you most want to find just the thing to do justice to the efforts of the chef, you go and make an absolute clanger. Of course it is also about doing justice to the effort that has gone into the production of the wine so showing it off in the most flattering company  is desirous  in absolute propotion to the amount of effort it is to procure a bottle and how lovingly you cherish it.

I haven't gone too far out of my way to scout out the perfect steak to show off my £5.49 Argentinian Cabernet Sauvignon. Although they would be more laidback company than some, more intricate, menus.

Had the most wonderful meal a couple of nights ago courtesy of a former Masterchef contestant.  We kicked off the evening with some Champagne Drappier Brut Carte d'Or NV. A very biscuity nose with a fresh, light and clean apple palate with a broad, creamy bottom layer with an enthusiatic but not overwhelming mousse and very decent length.

The first course was mushroom ravioli in a wild mushroom (girasol) broth in which the  woodland flavours sang out in operatic fashion. We matched that with a Louis Latour, Domaine de Valmoissine Pinot Noir 2002 from Provence. Very light crimson this was correct and tasty. Already quite evolved but still lots of fruit, just not the concentration I'd hoped for.  Made a great pairing with the mushrooms though and the lightness and acidity in the wine lifted the earthy tones and richness of the ravioli.

The fabulously elaborate meal continued with roast duck cooked in red wine with cherry sauce. For the duck I had brought along a Feytit Clinet 2000 from Pomerol having enjoyed right bank Bordeaux with duck on many previous occasions. Here though the intensity and sweetness of the cherries and the reduction glaze reduced this otherwise rather lovely wine to thin, metallic, short nastiness. Really very sad!

We tried opening an Eldridge Blue Chip Shiraz 2003 from Clare Valley in South Australia, which alone was sweet, unctuous and jammy but this too couldn't take on the cherries.

Which came first - the cherry or the Feytit Clinet? They both lost that night.  Tant pis...learn from mistakes. Next time before rummaging through the cellar, I'll ask for an exact breakdown of the recipes from my host - NO, not really! This is just for fun.

After having a look through the supermarket shelves for the first time in ages I was actually pleasantly surprised that there were quite a few decent mid-range wines on offer.

I don't think that makes up the majority of wine sold to their customers and if you regularly go to just one supermarket branch I think you'd get bored quickly.

However the point is that there are some good even great wines being offered. I have been especially impressed with Tescos and Sainsburys premium own brands which have gone to specific regions and made authentically regional wines. Sounds easy but too often I have drunk a winemaking- rather than wine- style.

Over the past three weeks Waitrose put on their annual press tasting showing their 270 wine range. For the first time all the fine wine was shown together  with the everyday drinkers. This was an admirable show of confidence in all of the wines but did lead to a couple of unfairly marked contrasts - a 2005 Fitou after a 2003  Ch Mouton Rothschild 1^er cru Pauillac (delicious, by the way).  However despite this I think it was a brilliant way to show the wines and a thoroughly enjoyable tasting.

It would be too long to list all the wines here so I will add a new section to the site for tasting notes from various merchants etc and publish them all together. As soon as time allows. Highlights though for me, apart from the Mouton Rothschild were Corton-Pougets Grand Cru 2003 from Louis Jadot, Ch Lagrange 2000 St Julien, Ch Rauzan-Ségla 1998 Margaux, Ch Cos d'Estournel 2003 St Estèphe.

Yes ok, not exactly hard to have picked those out, there were also lots of more affordable lovely reds, Ch d'Aiguilhe 2002 Côtes de Castillon - a former neighbour of mine though I didn't hang out with the Count, Cuvée Constance 2004 VdP des Côtes Catalanes + lots more - 2004 Gigondas from Gabriel Meffre, CNdP 2004 from Perrin et Fils and I haven't even left France yet. Ormanni Chianti 2003, Viña del Olivo 2001 from Contino in Rioja, Columella 2004 from South Africa, Craggy Range Le Sol Syrah2004 from New Zealand, Cape Mentelle Cab/Merlot 2004 from Margaret River in Western Australia and the fabulous O'Leary Walker duo with their Claire O'Leary Reserve Shiraz 2002.

The whites, tasted the week before, were of a similarly high standard. There was a consistent level of quality and of typicity across the range. Again some fabulous Burgundy leading ladies but also a Ch Jolys Jurançon Sec 2005, another VdP des Côtes Catalanes Matassa Cuvée Marguerite 2005, CVNE Monopole Rioja Blanco 2005 a super food wine, Cono Sur's dependable Limited Release Gewurztraminer 2006, Villa Maria Single Vineyard Graham Sauvignon Blanc 2005, Torbreck Woodcutter's Semillon 2003 - outstanding, I thought. O'Leary Walker Polish Hill River Riesling 2006, Paul Blanck Riesling Grand Cru Schlossberg 2002 from Alsace.

Some of the top wines are only available in a very few stores, even only one store in a couple of cases and clearly there are limited stocks. However Waitrose are taking themselves very seriously as wine merchants and are doing a better job than any of the other supermarkets on current evidence. Their new winelist is as good as anything a very good independent merchant would produce with introductions to countries and regions, tasting notes and lots of helpful information.

It is no surprise that this year they scooped two top awards : the International Wine Challenge Supermarket Wine Retailer of the Year 2006 and Decanter World Wine Awards Best Supermarket 2006.  Congratulations.

First up Organic Wensleydale. This crumbly white is more texture than flavour but did fill out the wine and brought forward the fruit -peachy aromatics. The lightness of the almost cottage cheese texture really complemented the delicacy of the wine. There was a hint of a salty tang too.

Then Woolsery, http://www.woolserycheese.co.uk , this is a medium hard goat's cheese from Dorset and is so tasty. It was the best in combination with the wine too. The slightly salty creaminess perfectly cut the acidity of the wine down to size. The cheese had a decent level of acidity to it as well. It was grassy and had a goaty note but was not overly pungent. Great stuff.

Next up Vintage Gouda, the label didn't give a year or age though - perhaps this is cheese parlance that someone can enlightenment me about? This had a wonderful flavour, nutty, earthy, hay aromas, very fruity in fact. It is a dense and creamy cheese which cancelled out the acidity in the wine altogether and made it seem almost flabby! Not quite right together.

Finally Doux de Montagne, very like a Spanish Manchego with its subtle flavour and rubbery texture. It tasted slightly soured too but in a good way. The wine overwhelmed this cheese though and it had very little impact when tasted together.